米开朗基罗的凝视

基本信息

豆瓣ID: 1889162

标题: 米开朗基罗的凝视

原始标题: Lo sguardo di Michelangelo

年份: 2004

副标题: 2004 / 意大利 / 纪录片短片 / 米开朗基罗·安东尼奥尼 / 米开朗基罗·安东尼奥尼

导演: 米开朗基罗·安东尼奥尼

主演: 米开朗基罗·安东尼奥尼

国家/地区: 意大利

语言: 意大利语

类型: 纪录片,短片

片长: 15 分钟

上映日期: 2004-05-22

又名: Michelangelo Eye to Eye

标签: 意大利,短片,纪录片,2000s,艺术片,欧洲

F标签: 意大利,短片,纪录片,2000s,艺术片,欧洲,2004,米开朗基罗·安东尼奥尼

类型: 电影 (movie)

供应商数量: 0

已发布: True

是节目: False

是限制级: False

在黑名单: False

评分详情

评分: 7.9

评分人数: 793

最高分: 10

星数: 4.0

简介

Quote: By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art. filmref.com

额外信息

豆瓣ID: 1889162

IMDB ID: tt0409285

背景图: https://www.themoviedb.org/t/p/original/xq1oOYlNCDFPmZ8WxDfGBEX4LgW.jpg

1889162 米开朗基罗的凝视 Lo sguardo di Michelangelo 2004 7.9 793 https://img9.doubanio.com/view/photo/s_ratio_poster/public/p2221826575.webp https://img9.doubanio.com/view/photo/m_ratio_poster/public/p2221826575.webp 米开朗基罗·安东尼奥尼米开朗基罗·安东尼奥尼意大利纪录片,短片意大利语 Quote: By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art. filmref.com 2004-05-22 Michelangelo Eye to Eye 15 分钟 False movie 0 2004 / 意大利 / 纪录片短片 / 米开朗基罗·安东尼奥尼 / 米开朗基罗·安东尼奥尼意大利,短片,纪录片,2000s,艺术片,欧洲意大利,短片,纪录片,2000s,艺术片,欧洲,2004,米开朗基罗·安东尼奥尼 0 True False False False https://movie.douban.com/subject/1889162/ https://movie.douban.com/subject/1889162/ https://www.douban.com/doubanapp//h5/movie/1889162/desc 1889162 tt0409285 https://www.themoviedb.org/t/p/original/xq1oOYlNCDFPmZ8WxDfGBEX4LgW.jpg 10 4.0 0